{"created":"2023-05-15T09:32:45.868839+00:00","id":324,"links":{},"metadata":{"_buckets":{"deposit":"63043b17-696b-4ede-85b3-f3dd1ecf2535"},"_deposit":{"created_by":8,"id":"324","owners":[8],"pid":{"revision_id":0,"type":"depid","value":"324"},"status":"published"},"_oai":{"id":"oai:seinan-jo.repo.nii.ac.jp:00000324","sets":["1:26"]},"author_link":["35"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2021-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"38","bibliographicPageStart":"33","bibliographicVolumeNumber":"25","bibliographic_titles":[{"bibliographic_title":"西南女学院大学紀要"},{"bibliographic_title":"Bulletin of Seinan Jo Gakuin University","bibliographic_titleLang":"en"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"　モーツァルト（Wolfgang Amadeus Mozart, 1756-1791）の《ソルフェージュ\nと声楽練習Solfeggien und Gesangsübungen K.-V.393》（以下《ソルフェー\nジュ》）に収められている全５曲（Solfeggio 1,-2,-3,-Fragment, および\nEsercizio per il canto）と、アスパージア（《ポントの王ミトリダーテ \nMitridate, re di Ponto K.87（74a）》）のアリアの中に類似する旋律を見出\nすことを目的に、読譜および音源聴取を行った。\n　アスパージアのアリア「迫り来る運命から Al destin, che la minaccia」と\n「ソルフェージュ１」の一節に類似する旋律を見出した。アスパージアのアリ\nアは、オペラ《ポントの王ミトリダーテ Mitridate, re di Ponto K.87(74a)》\nの初演で歌唱したベルナスコーニ（Antonia Bernasconi, 1738-1816）の要望に\n添って調性および旋律に修正が施され、アリアの一節は、妻コンスタンツェの\n歌唱訓練を想定して作曲した「ソルフェージュ 1」に書かれたと推察した。\n　本稿において「ソルフェージュ１」とアスパージアのアリアに類似する旋律\nについて解析を行い、声楽上の共通点について記し、アリアの背景を調査し、\n報告した。","subitem_description_type":"Abstract"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"西南女学院大学"}]},"item_10002_relation_12":{"attribute_name":"論文ID（NAID）","attribute_value_mlt":[{"subitem_relation_type_id":{"subitem_relation_type_id_text":"40022618391","subitem_relation_type_select":"NAID"}}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA11156368","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"1342-6354","subitem_source_identifier_type":"ISSN"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"金谷, めぐみ"},{"creatorName":"カナヤ, メグミ","creatorNameLang":"ja-Kana"},{"creatorName":"Kanaya, Megumi","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"35","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2021-07-30"}],"displaytype":"detail","filename":"kanaya.pdf","filesize":[{"value":"347.9 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"本文","url":"https://seinan-jo.repo.nii.ac.jp/record/324/files/kanaya.pdf"},"version_id":"a4edcf3e-76dc-4635-9e37-72059a3326c8"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"モーツァルトのソルフェージュ","subitem_subject_scheme":"Other"},{"subitem_subject":"アスパージアのアリア","subitem_subject_scheme":"Other"},{"subitem_subject":"Solfeggien","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"aria","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Aspasia","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Mozart","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"モーツァルトの《声楽のためのソルフェージュSolfeggien fur eine Singstimme K.393(385b)》とアスパージアのアリア「迫り来る運命からAl destin, che la minaccia」(《ポントの王ミトリダーテMitridate, re di Ponto K.87(74a)》)における類似する旋律 : 声楽上の共通点とアリアの背景","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"モーツァルトの《声楽のためのソルフェージュSolfeggien fur eine Singstimme K.393(385b)》とアスパージアのアリア「迫り来る運命からAl destin, che la minaccia」(《ポントの王ミトリダーテMitridate, re di Ponto K.87(74a)》)における類似する旋律 : 声楽上の共通点とアリアの背景"},{"subitem_title":"Similar melody in Mozart's \"Solfeggien fur eine Singstimme K.393(385b)\" and Aspasia's Aria in his Opera, \"Mitridate, re di Ponto K.87(74a)\", 《Al destin, che la minaccia》 : The vocal similarities and the background of the aria","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"8","path":["26"],"pubdate":{"attribute_name":"公開日","attribute_value":"2021-07-30"},"publish_date":"2021-07-30","publish_status":"0","recid":"324","relation_version_is_last":true,"title":["モーツァルトの《声楽のためのソルフェージュSolfeggien fur eine Singstimme K.393(385b)》とアスパージアのアリア「迫り来る運命からAl destin, che la minaccia」(《ポントの王ミトリダーテMitridate, re di Ponto K.87(74a)》)における類似する旋律 : 声楽上の共通点とアリアの背景"],"weko_creator_id":"8","weko_shared_id":-1},"updated":"2023-05-15T09:37:00.015136+00:00"}